Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Friday, December 6, 2013

The Mists of Avalon, Marion Zimmer Bradley




First published in 1983, Mists of Avalon by the late Marion Zimmer Bradley is a wonderful retelling of the Arthurian legend. I chose to reread The Mists of Avalon this week for two reason: first - as my reward because it is one of the greatest epic fantasies of all time, and second - it had been over a year since I last read it. This book was a watershed moment in fantasy literature for me, and for millions of readers over the years.

The Blurb:
In Marion Zimmer Bradley's masterpiece, we see the tumult and adventures of Camelot's court through the eyes of the women who bolstered the king's rise and schemed for his fall. From their childhoods through the ultimate fulfillment of their destinies, we follow these women and the diverse cast of characters that surrounds them as the great Arthurian epic unfolds stunningly before us. As Morgaine and Gwenhwyfar struggle for control over the fate of Arthur's kingdom, as the Knights of the Round Table take on their infamous quest, as Merlin and Viviane wield their magics for the future of Old Britain, the Isle of Avalon slips further into the impenetrable mists of memory, until the fissure between old and new worlds' and old and new religions' claims its most famous victim.

My Review:

The main protagonist is Morgaine, who watches the rise of Uther Pendragon to the throne of Camelot as high-king. When she was still a young child, she was taken to Avalon by High Priestess Viviane, her maternal aunt, to become a priestess of the Mother Goddess. While in training, she sees the rising tension between the old Pagan religion and the new Christian religion. At the age of fourteen, she is given in a fertility ritual to a young man whom she later discovers is Arthur, her half-brother. Morgaine conceives a child, Gwydion (who will later be called Mordred), as a result of the ritual. She conceals his existence from Arthur.

After Uther dies, his son Arthur proves himself in battle and ascends to the throne.  Morgaine and Viviane give him the magic sword Excalibur and a bespelled scabbard as gifts from the country of Avalon.  Using the sword, which is a pagan weapon, Arthur succeeds in driving the Saxons away. 

But when his wife Gwenhwyfar is unable to carry and deliver a living child, she is convinced that it is a punishment of God: firstly for the presence of pagan elements (a position which Morgaine deeply resents), and secondly, for her forbidden love for Arthur's finest knight Lancelot.  Hating herself for loving him, Gwenhwyfar becomes a religious fanatic, and the relationship between Avalon and Camelot becomes hostile.

The story is compelling at the outset, and it captivated me from page one.  Upon finishing this book I immediately re-read it!  Zimmer-Bradley immerses you in the culture and mores of the mythical Britain of the seventh and eighth centuries.  The thoughts and feelings of each character are clearly drawn, and so are the places and the societies in which they live.  The over-riding themes of love and treachery make for a tragedy with tremendous political ramifications.


There are good and wise men and women and there are greedy, shortsighted people, and all are depicted with an impartial eye in this tale. The flaws and the strengths of each character are drawn with compassion. The personal choices those in power make change their society for all time. The clear and visible change in the cultural values of pre-christian Britain is vividly portrayed, setting the place of women in the society of Britain for the next 1,200 years. 

Within the two generations that this book spans, we see women going from having a respected voice and power in their society, to being relegated to the position of chattel; property of their husband and having less of a voice than his cattle.  

This book crosses many genres, Fantasy, Romance, Historical Fiction--Marion Zimmer Bradley created a world that never existed before and breathed life into it, giving us real, solid people to envision when we think about the Arthurian Saga. It is masterfully woven to make a novel that sets the standard for Arthurian literature, and raises the bar for writers of fantasy in general. It is a book that I think of as a cornerstone-book, one of the real foundation books in the library of truly great, modern storytelling. 

Thursday, April 26, 2012

Drasmyr, Mathew D Ryan




Drasmyr  is a fantasy horror novel written by indie author Mathew D Ryan.

The story takes place in the city of Drisdak, and centers on the mages’ guild there.  Lucien Val Drasmyr is a 1000 year old vampire and is the main antagonist in this tale. He has made an unwise acquaintance with Arcalian, an evil mage and guild master who wants a magic scepter that Lucien guards.  He sends 2 apprentices to get it – one dies and one (Clarissa) is turned into Lucien’s bride.  Lucien kills Arcalian in the mage’s own domain and takes the body with him while the study burns behind him.

Regecon, a Mage of noble decent, formerly a councilman and newly made Guild Master has to find out what really happened in Arcalian’s study. He is assisted by Toreg, an arrogant mage, Morcallenon, the head diviner and Ambrisia, a sorceress of earthcraft who is also Regecon’s closest confidant.

Coragan is a bounty hunter hired to find Arcalian if he lives. He is not happy in his profession, feeling more like an assassin for the nobility than a bringer of justice. He feels like he is always cleaning up after his two mates. Coragan has had only bad experiences while working for both mages and noblemen, and does not see that improving.

Galladrin is a rogue. He was once a thief, is a weapons-master and is a reluctant follower, preferring to lead.  This story is ostensibly about Coragan but seems to be told from Galladrin’s perspective more often than anyone else’s, although the POV changes frequently during the course of the narrative.

Borak is barbarian warrior, strong, silent, and the only one of the three with any brains, but does not speak often.

While the three men are sifting through the ashes of the fire that had consumed Arcalian’s study they come across a special jar that remains untouched by the fire.

Korina, a student and apprentice of Ambrisia, knows what the mysterious jar is. Korina is possessed of many secrets, all of them evil. She hides her evil under a mask of innocence well, and joins in the fight against Lucien for reasons of her own.



Galladrin is somewhat of a loose cannon and his inadvertent encounter with Clarissa bring them to Lucien’s attention.

The mystery deepens and then the adventures really begin.  This is a rather grisly book, and I really don’t recommend it if you have a distaste for graphic violence.  People die regularly and gruesomely. Despite the violence, the plot moves along well and kept my attention.

The story frequently alternates point of view between Lucien whose story is told in the first person, and each of the other characters parts of the story, all of whose stories are told in the third person. The point of view jumps all over the place, but still the story is intriguing and immersive.

The system of sorcery is logical and makes sense; the characters are well drawn and engaging.  It is very easy to visualize the environment of Drisdak. I was quite engrossed in the world that Ryan builds.

Drasmyr is only available through Smashwords, and the only way I was able to read it was on my Kindle for PC app as it would not upload to my Kindle. Nevertheless, I recommend this as a great rainy-day read.


Thursday, January 5, 2012

Hemlock and the Wizard Tower by B. Throwsnaill





Hemlock and the Wizard Tower (The Maker’s Fire) by B. Throwsnaill

Indy author B. Throwsnaill has written a tale that is full of great characters, fantastic adventures with a riveting plot. This was the best .99 that I have spent in a long while! 

When the tale begins, Hemlock’s sister lies helplessly ill. The magic that might save her is fading. Hemlock fears that the wizards in the Tower have somehow siphoned off the magic that once infused the Warrens. Accordingly, she sets out to discover what has happened.

Using her special power to sense magic, she succeeds where no one else has and penetrates the terrible defenses of the tower. Once inside she sees many things both terrible and full of magic, and then meets Merit, a clockwork gnome who is both mechanical and magical. He answers her questions as well as he can.

She then meets a Bust (yes, a statue) that sings and enjoys rum.  I have to say that is one of the more entertaining scenes I have read in a long while!

Hemlock’s mentor, Safreon goes to great lengths to help her in her quest to restore the magic to the Warrens. He enlists the help of Gwineval, a renegade wizard, and Merit also helps her in her quest to free the magic which is controlled by the Wizard’s Guild and their leader, the rather schizophrenic Falingus. One moment he is kind and compassionate and another he is consumed with the desire for power, making Falingus an interesting character.  He has reasons of his own to want to keep Hemlock alive.

Hemlock’s effort to stop what she believes to be the siphoning of mana (magic energy) in the city goes awry, and she is inadvertently the cause of a dramatic reduction in the amount of mana, endangering her sister’s life.

This tale is very smoothly woven.  The characters are well drawn, and the magic has both a purpose and a logical basis.  The world they inhabit is clear and compelling.  Hemlock’s personal growth as she changes from a rash street urchin with a cause, to a heroine is both inventive and enjoyable.

Much of the story is told in flashbacks, which I found disconcerting at first, but the story was so gripping that I stuck with it and soon they didn’t distract me.  Indeed I soon began to enjoy the way the story unfolded through them. 

I highly recommend this book to anyone who enjoys epic-quest-fantasy as much as I do. Throwsnaill draws from the modern literature of J.R.R. Tolkien, Michael Moorcock, Terry Brooks, and the myths and mythologies of many of the world's religions, without mimicking them. I think this very original tale has the potential to become a classic!




Thursday, December 22, 2011

Servant of the Gods, Valerie Douglas



Servant of the Gods -Valerie Douglas

Chapter one of Servant of the Gods by indie author Valerie Douglas begins this tale with one of the most moving and dramatic beginnings that I have ever read. I couldn’t wait to begin reading the story of how the Egyptian Priestess Irisi came to such a moment her story.
Chapter two takes up with her memories, beginning with events which happened when she was a child of eleven years of age, and was a shepherd girl named  Eres.  Her village has been attacked.  Now she is orphaned, and taken in by the druids who raise her to be a warrior. She becomes a mercenary soldier.  Her travels as a mercenary lead her to participating in a battle against Egypt, where she ends up on the losing side. This leads to her meeting the love of her life, Khai, in battle.  He captures her, but sees beauty in her as both a warrior and a woman.

To spare her being harshly used by others, he temporarily takes her as his servant.  Despite Khai’s wishes to the contrary she is sold at an auction to the court magician, an evil man named Kamenwati.  He chooses to use her as a gladiator, but eventually he plans to make her his sexual servant and use her in an arcane and evil ceremony.  He orders her to kill in cold blood, something she is loathe to do.  She will fight an opponent in honorable battle but only to first blood or disarmament.   To kill in cold blood is murder and is punishable by death, moreover she does not want to do such a thing. It would place her in Kamenwati’s power even more firmly than she is. 

To avoid having to commit murder in Kamenwati’s service, Eres offers her swords to the gods, in the hope that they will find her acceptable.  She is accepted as a priestess by Isis, and given the name Irisi which means ‘fashioned by the gods’.  Needless to say, her master Kamenwati is livid that she has escaped the fate he had planned for her, and he vows that he will reclaim ‘his property’ one way or another.

While at an audience with the Pharaoh she once again meets Khai, and thwarts an assassination attempt, engineered by the evil vizier Kamenwati who intends to be the next Pharaoh.

Kamenwati is secretly the servant of the God Set, who is the god of evil, chaos and war. He has also made a bargain with a Djinn, a very powerful demon.  An army of Djinn is poised to conquer Egypt, and Set will be the only God.

For several years, Irisi and Khai do not act on their mutual attraction, as Kamenwati would certainly punish them, and he is too strong for Irisi to defeat.

The Djinn that Kamenwati has called attack Egypt and Khai and Irisi are brought together, often enough that others begin to notice how they look at each other.  Eventually, they do become lovers, but they are very discrete, keeping their relationship a secret from Kamenwati.

This is high adventure. Khai is a romantic and sexy hero, and Irisi is a strong woman who never forgets that she is a woman.  She never competes in battle with men by trying to be a man. She is a female warrior, and proud to be so.  There are some very graphic scenes, both of violence and of sex, and frankly there is quite a bit of both. Still, I would recommend this as an adult book because the story is so compelling. 

I am looking forward to reading more works by Valerie Douglas in the future.