Fall of Angels, L.E.Modesitt Jr.

I had one of those weeks where I cracked open 4 indie books, and shut them after getting a third of the way into them. No plot? No problem--No way.  So I was looking around my dusty shelves and came across my beloved Saga of Recluce collection and picked up "Fall of Angels."  Written in 1997 by L.E. Modesitt Jr., this is one of the most enduring fantasy series of modern times.  I think its longevity has to do with the way the saga takes place over many generations, and takes you into both sides of the conflict, with not usually more than two books dealing with a particular protagonist.


The Blurb:
Now in Fall of Angels, Modesitt moves deep into Recluce's past to chronicle the founding of the Empire of the Legend, the almost mythological domain ruled by woman warriors on the highland plateau of the continent of Candar. He tells the story from the point of view of Nylan, the engineer and builder whose job it is to raise a great tower on the plateau known as the Roof of the World. Here the exiled women warriors will live and survive to fulfill their destiny. Here a revolutionary new society will be born . . . if Nylan can get the tower built and defenses in place before the rulers of the lowland nations come with their armies to obliterate them all. And if Nylan can learn to control the magical powers that are growing within him.

Thus Modesitt relates the story of how magic comes into the world of Recluce, in a fantasy novel destined to please the growing Recluce audience and win new readers to the series.

Fall of Angels is the sixth book of the saga of Recluce.


My Review:
Two radically different magics--The black of order vs the white of chaos--this is the central facet of each tale in the saga.  In each book the protagonist is either of the black or white persuasion, and in a few there is a grey area of magic. In Fall of Angels, Modesitt explores the side of order, the black magic of healing and building.

At the outset of the tale, we meet a crew that by happenstance, is made up of women, with only three male crew members. Nylan is the ships engineer, and, as are all the officers, he is connected into the ships neuronet, the mental command center that completely controls the ship and its environment. Ryba is the ship's captain, and while she and Nylan have a sexual relationship, there is no doubt that she is in command. I didn't say romantic, because though they sleep together and care for each other, there is no romance involved. As a result of a great battle, they are thrown into an alternate universe, above a strange planet. With no way to return, they are forced to land.

They are "angels," humans from the various cold planets of Heaven. Most are from Sybra, the coldest planet, but a few are from Svenn, a warmer planet. Nylan is half-Svenn. The Sybrans cannot take the heat of their new world and are pretty much trapped in the cool mountains. Unfortunately the first thing that happens is they have landed on a world previously colonized. It probably happened in the same way, but by the Rationalists of the warmer worlds of Hell, those humans called 'demons' with whom they have been at war with for thousands of years. The lord of the land immediately attacks them, and the conflict is on.

This tale takes the concepts of traditional gender roles and twists them inside out. If she hadn't been thrown out of her universe, Ryba would never have had the chance to rise any higher than she already had, as women are considered technically equal, but there is a glass ceiling most women can't break through. In their new world, she makes sure the three men know they are now the ones with lesser stature, coldly telling Gerlich, "I could amputate both your arms and you would still retain your stud value." She is determined to build a culture where women have all the power and men are simply a means to reproduction. She is deadly, calculating, and will ruthlessly use anyone to achieve her goal.

Nylan is a strong man but he is not a leader, and feels like he has no other options, other than to march along with plans Ryba sets down for them. Using their failing technology he forges the weapons and builds their tower so they can survive the first winter in their mountain home. As events unfold and his relationship with Ryba disintegrates, he is confused and unsure of what to do. He is a man with a temperate mind, believing in equality with neither sex having the upper hand. A few of the women feel the same way he does.

This age old conflict makes for an awesome tale.  Each character is sharply drawn, and the contrasts in their philosophies and the way they relate to each other drives this to a dramatic finish. I have read this entire series several times, and absolutely love it.  In my opinion, this is one of Modesitt's better tales.

The Well at World's End, by William Morris

First published in 1896, and now in the public domain, The Well at World's End by William Morris has inspired countless great fantasy authors. J.R.R. Tolkien and C.S. Lewis were students at Oxford when they became devotees of Morris's work, to name just two. I first read this book in college back in the dark ages, when Ballantine released it as a two-volume set. The original Ballantine covers are below, at the end of this post.

This fairly unknown literary treasure is now available free, as a download for your Kindle or other reading device. I got my Kindle version through the Gutenberg Project on Google--and it has reminded me of what my true roots as a reader of fantasy are. Give me the beautiful prose, the side-quests to nowhere, and wrap them in an illusion of magic, and I'm yours forever.

First, The Blurb:

The rich, interwoven tapestry of William Morris's four volume epic, "The Well at the World's End", is brought together in a handsome edition featuring the tale of Ralph of Upmeads. Literally and figuratively, this story is the wellspring that gave rise to both C.S. Lewis' "Chronicles of Narnia", and J.R.R. Tolkien's "The Hobbit" and "Lord of the Rings". Many elements of the story will be familiar to those who love these and other modern narratives of fantasy and adventure, set in a mythical world. 

Ralph of Upmeads is the fourth and youngest son of the king of a small monarchy, and the only one forbidden of his elder brothers from going in search of his fortune. He runs away, but not before his godmother gives him a necklace with a bead on it, which unerringly directs his destiny to seek out the legendary and titular well at the end of the earth. Along the way, he encounters friends and foes in an ever-changing landscape of rolling hills and barren wood, towering mountains and meandering rivers. Through them all pass roads down which many heroes since have sojourned; united in fellowship, or alone on solitary quests. 

Great and splendorous cities await, and in between, thriving towns, tiny villages, and protective farms at the edge of vast wildernesses. The further our intrepid wayfarer gets from home, the more he misses the simple pleasures of his hearth, table and bed. Many have followed in his footsteps since, both character and reader alike. 

Its language is that of another age, but its archetypical settings and denizens are the timeless stuff of once and future legend.

My Review:

Morris wrote beautifully crafted poems, and the prose in this narrative is both medieval and sumptuous. He was born in 1834 and died in 1896. He was an important figure in the emergence of socialism in Britain, founding the Socialist League in 1884, but breaking with that organization over goals and methods by the end of the decade. Famous as a designer of textiles and wallpaper prints that made the Arts and Crafts style famous, Morris devoted much of the rest of his life to the Kelmscott Press, which he founded in 1891. Kelmscott was devoted to the publishing of limited-edition, illuminated-style print books. The 1896 Kelmscott edition of the Works of Geoffrey Chaucer is considered a masterpiece of book design.

The Well at World's End is a real departure for the literature of the Victorian era, in that the morality is indicative of the free-thinking bohemian lifestyle of the famous and infamous artists of the day. William Morris was a member of the Pre-Raphaelite Brotherhood and was a man who enjoyed an unconventional lifestyle in the company of like-minded people, with few permanent ties, all of them celebrating musical, artistic, and literary pursuits. 

Using language with elements of the medieval tales written by Chaucer and Chrétien de Troyes, who were his models, Morris tells the story of Ralph of Upmeads, the fourth and youngest son of a minor king. The king is wise and his kingdom prosperous, but nevertheless his four sons are not content. The three older brothers set out, with their father’s blessing. Ralph is still young, and his father wishes him to remain at his side.

Not happy with his lot, Ralph departs without his father’s blessing. He yearns to find knightly adventure and is encouraged by a lady, Dame Katharine, to seek the Well at the World's End, a magic well which will confer a near-immortality and strengthened destiny on those who drink from it. The Dame is childless, and sees Ralph as a son; she gives him a necklace of blue and green stones with a small box of gold tied on to it, telling him to let no man take it from him, as it will be his salvation. She also gives him money for his journey.

The well lies at the edge of the sea beyond a wall of mountains called "The Wall of the World" by those on the near side of them but "The Wall of Strife" by the more peaceful and egalitarian people who live on the seaward side.

Ralph meets a mysterious Lady of the Dry Tree, the Lady of Abundance who has drunk from the well, and they become lovers. Together and separately, they face many foes and dangers including brigands, slave traders, unscrupulous rulers and treacherous fellow travelers. The lady is murdered, leaving Ralph bereft. Later, Ralph meets another lady, Ursula, and with her help and the aid of the Sage of Sweveham, an ancient hermit who has also drunk of the well, Ralph eventually attains the Well, after many more adventures.

Because the main character, Ralph, and a nameless lady become lovers with no thought of marriage, the novel was not well known in its time, until twenty years after Morris's death when it was discovered by free-thinking university students, to the dismay of their strait-laced parents.

The underlying story is strong, with many twists and turns. The relationship between the Ralph and the Lady of Abundance is well portrayed, as is the jealousy of her former lover, the death of her husband, and the way she is either loved or feared by everyone around her driving the plot forward. She is a woman of mystery, alternately cruel and kind, one minute the Lady of the Dry Tree, and the next, the Lady of Abundance.

Ralph's story really begins after her death and the twists and turns of fate and magic are compelling. The characters Ursula and the Sage of Sweveham are both deep and well-drawn.

I freely confess, in the same way that the works of William Shakespeare are hard for a modern reader to translate, the language of William Morris’s work is difficult to follow. A quote will show you what I mean: "But Ralph gave forth a great wail of woe, and ran forward and knelt by the Lady, who lay all huddled up face down upon the grass, and he lifted her up and laid her gently on her back. The blood was flowing fast from a great wound in her breast, and he tore off a piece of his shirt to staunch it, but she without knowledge of him breathed forth her last breath ere he could touch the hurt, and he still knelt by her, staring on her as if he knew not what was toward."

When you read it aloud, it rolls off the tongue with beauty and grace, and is somehow easier to understand. The hard-core devotee of true fantasy literature will not be intimidated by the archaic prose. There is a wealth of tales within tales in this volume, all of which come together in the end.  And remember, the book costs nothing!