The Well at World's End, by William Morris

First published in 1896, and now in the public domain, The Well at World's End by William Morris has inspired countless great fantasy authors. J.R.R. Tolkien and C.S. Lewis were students at Oxford when they became devotees of Morris's work, to name just two. I first read this book in college back in the dark ages, when Ballantine released it as a two-volume set. The original Ballantine covers are below, at the end of this post.

This fairly unknown literary treasure is now available free, as a download for your Kindle or other reading device. I got my Kindle version through the Gutenberg Project on Google--and it has reminded me of what my true roots as a reader of fantasy are. Give me the beautiful prose, the side-quests to nowhere, and wrap them in an illusion of magic, and I'm yours forever.

First, The Blurb:

The rich, interwoven tapestry of William Morris's four volume epic, "The Well at the World's End", is brought together in a handsome edition featuring the tale of Ralph of Upmeads. Literally and figuratively, this story is the wellspring that gave rise to both C.S. Lewis' "Chronicles of Narnia", and J.R.R. Tolkien's "The Hobbit" and "Lord of the Rings". Many elements of the story will be familiar to those who love these and other modern narratives of fantasy and adventure, set in a mythical world. 

Ralph of Upmeads is the fourth and youngest son of the king of a small monarchy, and the only one forbidden of his elder brothers from going in search of his fortune. He runs away, but not before his godmother gives him a necklace with a bead on it, which unerringly directs his destiny to seek out the legendary and titular well at the end of the earth. Along the way, he encounters friends and foes in an ever-changing landscape of rolling hills and barren wood, towering mountains and meandering rivers. Through them all pass roads down which many heroes since have sojourned; united in fellowship, or alone on solitary quests. 

Great and splendorous cities await, and in between, thriving towns, tiny villages, and protective farms at the edge of vast wildernesses. The further our intrepid wayfarer gets from home, the more he misses the simple pleasures of his hearth, table and bed. Many have followed in his footsteps since, both character and reader alike. 

Its language is that of another age, but its archetypical settings and denizens are the timeless stuff of once and future legend.

My Review:

Morris wrote beautifully crafted poems, and the prose in this narrative is both medieval and sumptuous. He was born in 1834 and died in 1896. He was an important figure in the emergence of socialism in Britain, founding the Socialist League in 1884, but breaking with that organization over goals and methods by the end of the decade. Famous as a designer of textiles and wallpaper prints that made the Arts and Crafts style famous, Morris devoted much of the rest of his life to the Kelmscott Press, which he founded in 1891. Kelmscott was devoted to the publishing of limited-edition, illuminated-style print books. The 1896 Kelmscott edition of the Works of Geoffrey Chaucer is considered a masterpiece of book design.

The Well at World's End is a real departure for the literature of the Victorian era, in that the morality is indicative of the free-thinking bohemian lifestyle of the famous and infamous artists of the day. William Morris was a member of the Pre-Raphaelite Brotherhood and was a man who enjoyed an unconventional lifestyle in the company of like-minded people, with few permanent ties, all of them celebrating musical, artistic, and literary pursuits. 

Using language with elements of the medieval tales written by Chaucer and Chrétien de Troyes, who were his models, Morris tells the story of Ralph of Upmeads, the fourth and youngest son of a minor king. The king is wise and his kingdom prosperous, but nevertheless his four sons are not content. The three older brothers set out, with their father’s blessing. Ralph is still young, and his father wishes him to remain at his side.

Not happy with his lot, Ralph departs without his father’s blessing. He yearns to find knightly adventure and is encouraged by a lady, Dame Katharine, to seek the Well at the World's End, a magic well which will confer a near-immortality and strengthened destiny on those who drink from it. The Dame is childless, and sees Ralph as a son; she gives him a necklace of blue and green stones with a small box of gold tied on to it, telling him to let no man take it from him, as it will be his salvation. She also gives him money for his journey.

The well lies at the edge of the sea beyond a wall of mountains called "The Wall of the World" by those on the near side of them but "The Wall of Strife" by the more peaceful and egalitarian people who live on the seaward side.

Ralph meets a mysterious Lady of the Dry Tree, the Lady of Abundance who has drunk from the well, and they become lovers. Together and separately, they face many foes and dangers including brigands, slave traders, unscrupulous rulers and treacherous fellow travelers. The lady is murdered, leaving Ralph bereft. Later, Ralph meets another lady, Ursula, and with her help and the aid of the Sage of Sweveham, an ancient hermit who has also drunk of the well, Ralph eventually attains the Well, after many more adventures.

Because the main character, Ralph, and a nameless lady become lovers with no thought of marriage, the novel was not well known in its time, until twenty years after Morris's death when it was discovered by free-thinking university students, to the dismay of their strait-laced parents.

The underlying story is strong, with many twists and turns. The relationship between the Ralph and the Lady of Abundance is well portrayed, as is the jealousy of her former lover, the death of her husband, and the way she is either loved or feared by everyone around her driving the plot forward. She is a woman of mystery, alternately cruel and kind, one minute the Lady of the Dry Tree, and the next, the Lady of Abundance.

Ralph's story really begins after her death and the twists and turns of fate and magic are compelling. The characters Ursula and the Sage of Sweveham are both deep and well-drawn.

I freely confess, in the same way that the works of William Shakespeare are hard for a modern reader to translate, the language of William Morris’s work is difficult to follow. A quote will show you what I mean: "But Ralph gave forth a great wail of woe, and ran forward and knelt by the Lady, who lay all huddled up face down upon the grass, and he lifted her up and laid her gently on her back. The blood was flowing fast from a great wound in her breast, and he tore off a piece of his shirt to staunch it, but she without knowledge of him breathed forth her last breath ere he could touch the hurt, and he still knelt by her, staring on her as if he knew not what was toward."

When you read it aloud, it rolls off the tongue with beauty and grace, and is somehow easier to understand. The hard-core devotee of true fantasy literature will not be intimidated by the archaic prose. There is a wealth of tales within tales in this volume, all of which come together in the end.  And remember, the book costs nothing!

Books that Rocked My Reading World

I turned 60 this last Monday. 
I know!  
Who would have thought I'd still be alive after all I've been through! Well, I personally haven't been through a lot, but the books I've read have taken me on quite the journey, and I lived to tell about it! I have lived my life in two parallel universes--one in the real world working a job and raising kids, and one immersed in strange worlds, talking to dragons and fighting the good fight.

My parents were a bit eccentric. (Understatement of the year.)

Dad thought we should read what ever we want to read and of course we wanted to read what Dad read, so my sister and I cut our reading teeth on E.E. 'Doc' Smith's Lensman Series.

This presented a problem at times in elementary school when we brought the book we were reading and it was deemed  to be 'lurid and unsuitable' by our teachers, frequently with negative consequences. My sister's teacher went so far as to tell my mother, "A third grader should not be reading such trash!"  My mother's response was that children should read whatever they wanted if they understood the words.

The series begins with Triplanetary, two billion years before the present time. What a great notion THAT is! The plot devices developed in this series of serialized tales forms the core of what we think of as traditional science fiction.  George Lucas liked it so much he used it in Star Wars.

The other great influence on what I instinctively thought of as 'Literature' was written by Lester Dent -- yes folks, my sister and I adored 'Doc Savage'. 

 Clark Savage (or "Doc" to his friends), had no special powers, but was raised from birth by his father and other scientists to become one of the most perfect human beings in terms of strength, mental and physical abilities. Oh yeah! Prime reading for a ten-year-old!

Then, holy-what-the-heck! My sister, Sherrie, and I discovered Fritz Lieber! That is when we really got into trouble. 

Swords and Deviltry was first published in 1970, by Ace books.  One of the true pioneers of the genre of epic fantasy, Fritz Lieber originally wrote the three main tales that comprise this book as short-stories for several now defunct Science Fiction and Fantasy magazines, with ‘Induction’, appearing in the 1957 collection ‘Two Sought Adventure’ which was later expanded without ‘Induction’ as ‘Swords Against Death’. In ‘The Snow Women’, Fafhrd is introduced as a young barbarian of eighteen years who is still living in his mother’s tent. More than anything he wishes to see the world, and longs to hear any news of ‘civilization’, and especially the fabled city of Lankhmar. Fearing the dark magic of his mother and obsessed with the need to see the world, a series of events leads Fafhrd to abandon his wife, whom he marries as a last defiant gesture simply because she is carrying his child.  The curses of his Mother and his spurned wife follow him.

After Fritz, we discovered Anne McCaffrey (do you hear the angels singing?)

And Heinlein!

And Tolkien!

Avidly, I read Ray Bradbury, Isaac Asimov, Piers Anthony, M.A. Foster, Roger Zelazney--so many of the great masters of the genre that I can't possibly name them all in one blog-post. When I read a book today, my unconscious mind judges it by the standards of the masters of Science Fiction and Fantasy.

A great book must have a great plot. It must have compelling characters, who are a bit larger than life. The worlds it is set in must be vivid and colorful! Don't give me a rehashing of J.R.R.--take me someplace new and wonderful and introduce me to new people. Take me into your mind!

Having spent my formative years fighting with my sister over who got to read dad's Analog first, and having eagerly shared every crumb of any book, from Tolkien to McCaffrey to Heinlein with her, my notion of what constitutes a good tale was formed.

So now you know the underpinnings of my lust for literature-of-the-fantastic variety. I suppose it is clear where my love of swashbuckling bad-boys and bold women originated. And I thank you all for giving me the opportunity to talk about that love here! 

Diaries of a Dwarven Rifleman, Michael Tinker Pearce and Linda Pearce

This week we are reviewing "Diaries of a Dwarven Rifleman", co-authored by Michael Tinker Pearce and Linda Pearce. This book is a real departure from the usual run-of-the-mill epic-fantasy dwarves-and-elves style books. Think about Tolkien's dwarves, give them modern weaponry and sit back and watch the fun.

The Blurb:

Engvyr’s father gave up on the miner’s life to move the family back to their ancestral home in the far north. But the journey is fraught with perils the young dwarf has never imagined, and when tragedy casts him in the role of hero, well, what’s a dwarf to do? The events of that fateful journey have shaped and ruled his life, but now Engvyr wants nothing more than to make a place for himself, perhaps settle down and raise a family. But when a new enemy rises in the North he finds himself at the center of the conflict, with not merely the freedom of his people but the fate of all of humanity hanging in the balance… and the habit of heroism is a hard one to break. In Diaries of a Dwarven Rifleman magic, science and technology work hand-in-hand to create a new kind of fantasy world, where the character, life and relationships of an ordinary dwarf can steer the course of history and save a world.

My Review:

Truthfully, I have no idea why I picked this little jewel of a tale up, but it was a good choice. The tale is comprised of many vignettes of Engvyr Gunnarson's life.  Forced by circumstances to leave their home and return to the dwarven homeland, Engvyr's family embarks on an long and perilous trek. The events and losses on that journey shape the adult that the young dwarf becomes, molding him into a reluctant hero.

Engvyr never gives in to the casual brutality that characterizes his society, nor does he allow racism to interfere with his understanding of human nature and the basic underlying fact of the races - that ALL the races evolved from a common root - that of humans, and all share a common humanity. Early on he is taught that despite the radical differences in appearance and widely divergent societal differences, all the races of people want the same basic things: enough food for their children, and a safe place to raise them. 

Engvyr understands that when a society removes the humanity from an enemy ethnic group, it becomes easy to commit the most extreme atrocities against them, all in the name of  whatever cause one is fighting for. Because he understands the underlying truth of this, Engvyr brings compassion to his battles, and a desire to do good.

There is a great deal of Norse mythology woven into this tale, as well as Nordic mores and values. These characters are strong people with great capacities for both love and cruelty. 

For those of you who are weapons purists, you will be happy to note that the weapons Engvyr carries are original and scrupulously designed to be both real and fantastic at the same time. It is apparent that the authors have a true knowledge of guns and knives, and weaponry in general. Indeed, +Michael Tinker Pearce is known as the 'Swordgeek' and regularly blogs and gives podcasts on the subject of swords. 

You can get 'Diaries of a Dwarven Rifleman' for the kindle at amazon.com by clicking on this link: 

Diaries of a Dwarven Rifleman

All in all, this is an excellent, well written and well thought out book.